I works like this: First I calculate a minimal overlapping area of audio (because sometime some recordings start way earlier than other), and pick a small area to sample in the audio I need to sync. That sample gets further reduce to a 2 second snippet where someone is actually
@map we had this phenomenon even sitting at the same desk with 4 USB microphones. I could have used a solution like this to reduce manual stretching and compressing of time
@lastfuture no, I don't control for stretching as it isn't an issue usually™. This takes care of syncing up tracks to a master so I have a synced separate track for each speaker so I can do crossgating and stuff like that.
chaos.social – a Fediverse instance for & by the Chaos community